Summerized

Reed Boat Chair

While in La Paz, I spied this chic doughnut-shaped chair. It´s of particular interest to me, being a modern design that utilizes local, traditional materials and construction, considering ecological concerns. This is a combination of factors I'm contemplating for future projects. Made from of local reeds, the construction is based on that of old-fashioned reed boats made by natives on Lake Titicaca. This is one of the simpler reed boats:

The chair´s form is, of course, reminiscent of modernist designers such as the Eames. Designer Gerard Minekawa, is a New Yorker born to Bolivian and Argentine parents, though I think he may live in La Paz now.

While on Titicaca, we noticed others had also tried their hand at boat furniture, creating these boat sofas.

The Silence of the Llamas (La Paz)

Flying from Sucre to La Paz, we straddled the Andes, gazing at saw nude peaks, Matterhornian mountains and tiny, high lakes from the plane. Nearing the city, it seemed impossibly situated. Imagine an incredibly high flat plain (over 4,000 meters). There is a newer city on the plane, El Alto, which is smaller than La Paz, but still sizable. Then, there is a tremendous jaggy gorge clefting the plain, descending hundreds if not thousands of meters. It sparkles with buildings, and reminds me of the inside of a crater egg -- an immense craggy hollow coated in twinkling crystals. The above is only a corner of it.

Driving hundreds of meters into this canyon, we reached downtown La Paz. The city is entirely on hillsides, so most streets are quite steep, and leave you panting. Taxi rides were slightly terrifying at first.

Our hotel's neighborhood was the "Black Market," and near the "Witch's Market." It was a chaotic, frenetic place, with milling crowds, and it smelled faintly of urine. I had altitude sickness the first day, and this wasn´t a great place for it.

The Black Market wasn´t actually so sinister though; it was just a permanent street market where you could buy anything -- hardware, eggs, paint, luggage, clothing, etc. Stalls sold accoutrements for the Amayra women's traditional outfits too -- festooned pleated skirts, bowler hats, shawls, modified Maryjane shoes, and even braids of real human hair, for girls who want to dance traditional dances, but not grow traditional braids.

The Witch's Market was more unusual. It consisted of several shops that sold everything you´d need to cure lung cancer, grow a bumper crop of quinoa, or buy a mansion. In addition to selling traditional herbal remedies, the shops also sold amulets, cure-alls and ingredients for offerings to Pachamama (Mother Earth) or other deities. Christian and pagan melded, and representations of the Virgin shared space with the ever present llama fetuses.

We saw soaps to improve your love life, red roosters to help find a beau, or special candy for Pachamama. Or Ekeko, the cigar-smoking god of fortune, who reminds us of Vietnam´s Genie of the Earth.

Native people still shop at the market, and tourists go to gawk. So there was also tourist tat for sale. Further down the street was a kind of gringo alley, with hostels, internet cafes, restaurants, and the ubiquitous alpaca sweater stores.

Other parts of town had grand colonial buildings.

Or art deco...

Or these terrible post-modern experiments gone awry -- glass towers ¨sprouting out of¨ colonial buildings. Yes, the colonial building below is actually ¨broken¨ so the tower can sprout out, and its windows have been replaced with reflective glass so they´ll ¨blend.¨ We´ve seen these in multiple places on the continent so far.

We loved this train station (now a bus station) built by the brothers Eiffel.

One night we had dinner at a traditional restaurant with local music and dancing; I had steak while Jason ate llama.

The National Archeology Museum was housed in a former archeologist's mansion. The Tihaunacu objects within are fascinating; Tihuanacan culture is the predecessor of Inca culture. They built stone structures with amazingly flat surfaces, and precise right angles. The zigzag motifs of their architecture are lovely, and remind me of art deco. It was fitting, then, that the architect's mansion was a mix of art deco style and Tihuanacan; and it had a jugenstyle feeling.

On a day trip to Tihuanaco, we went to another museum of Tihuanacan objects. Most impressive was a two-story high stone statue of Pachamama. It had the same geometric angles as their architecture, and was inscribed with stylized motifs like condor-headed men. Locals are superstitious about this particular Pachamama, as disaster strikes whenever it´s moved. Photography of the Pachamama is prohibited. We also saw some jaguar-headed gods.

At Tihuanacu, native people were helping archaeologists to dig. The sun and moon gates, and a temple to the underworld were most impressive.

Apparently they, as well as the statues, were once covered in gold leaf. The Spanish damaged or destroyed many of treasures, in their haste to find gold. Our guide was telling us that now, various new age groups think aliens built the site, and that the Mormons even lay claim to it. Apparently, there are many new age pilgrimages to the site.

That evening, we took a cab to Zona Sur, the neighborhood of wealthy Bolivians and expats. La Paz's demographic/geographic strata is opposite other hilly cities in that the poor live high on the hill, and the wealthy live lower down. Perhaps this is a function of the wealthy wanting to live at a lower, more comfortable altitude. Our cab descended the jagged canyon for 45 minutes and hundreds of meters, past mountainous rock formations and stacks of little brick houses. Though inhabited, the brick houses mostly looked unfinished, as Bolivians have to pay higher taxes on finished structures. So they hold off on surfacing or painting indefinitely.

In contrast, as we finally entered Zona Sur, there were mansions with large gardens and tall fences. Parks and community centers were well looked-after. And the "downtown" area looked like a little retail Disneyland with a Starbucks imitator, stores selling "Argentine Fashion," and the first sushi restaurant we'd seen in weeks. Zona Sur looked nothing like what we'd previously seen in Bolivia, and in fact, more closely resembled an affluent American suburb. Natives in traditional dress begged on the streets; their costumes stood out in Zona Sur. This was the biggest stratification between rich and poor we'd seen since Cambodia.

Some of the most poignant signifiers were the Red Bull-mobile, parked curbside; rich kids screaming obscenities at each other from SUVs: or the fact someone had scrawled Ramons lyrics onto walls --nowhere is "I wanna be sedated" less meaningful.

But on the bright side, Bolivia has its own Iron Maiden fan base. Rock on!

Sucre

Driving to Sucre was much easier than from Uyuni to Potosi. We rode with our new friend Kirsten, and spent two hours watching stunning scenery from a small car, traveling mostly downhill. Slate mountains shimmered in the sun.

Sucre is truly charming. A UNESCO World Heritage site, Sucre has a very large colonial center area, with many fine buildings. It's very walkable. We enjoyed relaxing at a great colonial hotel, and eating at some of the local restaurants. I'm ashamed to say I wasn't very adventurous with food in Sucre, and insisted on eating at a Dutch tourist restaurant several times. I was hooked on their anti-bacterial salad wash; the recent bout of food poisoning being my excuse. We also enjoyed the chocolate made in Sucre; one of the local specialties.

It was interesting to note the relative wealth of the city, compared to the other parts of Bolivia we've visited. Even in old times, many wealthy citizens preferred to live in the (relatively) comfortable lower altitude of Sucre, while their businesses were in Potosi. In addition to colonial estates, we noticed many large new homes. But, unfortunately, there are also children busking in the streets.

Sucre and La Paz are dually the capitals of Bolivia. We visited several museums housed in beautiful old official buildings. In one, the guide told us that the native women's style of puffy, layered, pleated skirts was derived from the dress of colonial Spanish women. If true, this is fascinating. At the same museum, we saw paintings in tribute to Juana Azurduy, a female hero of the revolution.

And we learned about the main revolutionary heroes of Bolivia. There was a wealth of Spanish religious art at these institutions as well.

Sucre has a beautiful colonial cathedral. There is a shrine to the virgin bedecked in precious gems and gold, said to be worth enough to pay off Bolivia's national debt.

At a university's museum, we saw some contemporary art, including this lament about miner's health.

Our favorite museum was El Museo de Art Indigena ASUR, a textile museum devoted to local Native American works, and to preserving their textile traditions. Our of the traditional methods was Jalq'a, red and black weavings with wonderful and strange patterns of imaginary animals, khurus. They represents a kind of dream world where men do not dominate. At the museum, weavers demonstrated their techniques.

We bought a beautiful Jalq'a, created by a local artist. It is more detailed than this one.

Something strange we've noticed in Bolivia is the presence of nudie posters in unexpected places. Bolivia's Catholic conservatism apparently doesn't preclude there from being a topless beer poster in a copy shop where school kids are xeroxing English homework. Or a travel agency, restaurant, or whatever. And they're almost all blonde women, in a nation of predominantly Native American and Mestizo (mixed race) people.

Another thing we noticed was the after school, mostly male gaming crowd at the internet cafe. This is apparently a worldwide phenomenon, as we've seen them in every country except maybe Singapore.

I'd never have known it without visiting Bolivia, but Sucre has the world's largest paleontological site. We felt dwarfed standing next to what looks like (and is) a mountain cut in half. A mining company, blasting away at a mountain for ingredients for cement, discovered them. Hence the sliced mountain. Digging through layers and layers of sediment, they came upon a layer with large tracks. The cut forms a giant wall, maybe eight stories high, and you can see many kinds of dino tracks crossing it. You can even see where a T-rex is running, or where two dinosaurs had a skirmish.

The wall and tracks are vertical because of the way the earth buckled from seismic activity. Unfortunately, the mining company is still dynamiting the site everyday, and causing lots of damage. Administrators are waiting  for World Heritage status, so they can preserve the footprints. We may be some of the last people to actually touch the tracks.

Afterward, we climbed to a restaurant high on the hillside, and had lunch with some new friends. And this guy came along to show us some local song and dance. His costume impressed us more.

We visited Sucre's market on our last day. It reminded us some of Asian markets. And we patronized this fine establishment.

Hi Ho

Ever interested in dynamite and coca, we took a mine tour in Potosi. While silver was what made Potosi rich at one time, it isn't so common anymore. But miners do find some, as well as zinc, tin and other minerals. The mountain is riddled with mines, and thousands of miners still work.

The inexplicably named Koala Tours put us into an ancient bus, which heaved up the hill to a building where we "suited up." We donned plastic pants and jackets, rubber boots and hardhats. Looking clever, we walked down the street past giggling kids to buy gifts for the miners.

Gifts being soda pop, "completos" (a stick of dynamite, bag of ammonium nitrate, fuse and detonator), and coca leaves. Our fun guide Pedro demonstrated that Argentinian and Chilean dynamite are inferior to Bolivian. Then some Aussies showed us how to properly chew coca leaves.

With a bulge in our cheeks, and dynamite in our pockets, we were off. We chugged up the mountain and to the entrance to the mines. Pedro, an ex-miner, and his assistant installed our headlamps. I am holding my dynamite.

Pedro attached a fuse to a bag of ammonium nitrate, lit it, and handed it to several people to pose for photos.

They lit a few more, and after a minute or so, grabbed the bags, ran, and deposited them some distance away from the group. Resounding bangs, tremors and smoke followed. That was our dynamite (or, rather, fertilizer) demonstration.

Walking into a cave blasted into bare mountainside, we entered the mountain. Stooping through the passage, our first stop was a guy raising rocks from below with a mechanized pulley. A giant basket made of old tires, carrying 400 pounds of rocks jerked out of a shaft and almost landed on my feet. The guy somehow turned it on its side and poured the rocks into another shaft. I haven't got the whole process figured out really.

From there, we went to see the "socio," the head of this group of miners. Chino had a huge wad of coca in his cheek.

The job had aged him; these poor guys don't live long. He was grateful for the soda, as miners don't eat in the mine; they only drink sugary soda and chew coca to sustain themselves.

Weird, moldy-looking formations on the ceiling were  arsenic, copper, and some other things. We were told not to touch them.

At one point we met a lone miner; a guy working without a group. He had only a pickaxe; most things aren't mechanized down there. He was happy for the gift of completos, as he dynamites every evening, and comes back in the morning after the fumes are gone.

We descended from the first to the third level of the mine. The tunnel is not engineered in any way; it is essentially a big rabbit hole, and we were sliding and falling through claustrophobically small and irregular spaces, for eighty meters, supposedly. During the descent, as well as other times in the tour, we slid past deep shafts that would have been fatal to fall into. As Jason said, this mine was not OSHA compliant. Apparently, there are fatalities every month.

On the third level, we saw where the rubber tire baskets of rocks were being winched from. Guys were taking dynamited piles of rocks and shoveling the good ones into baskets to go back up. It was pretty dusty down there.

There were also little rail-cars of rocks, like you think of the Seven Dwarves having. They weren't mechanized; guys were pulling the backbreakingly heavy loads down the tracks. Conditions were essentially medieval.

When it was time to go up, we clambered back up the rabbit hole. It was exhausting work in the stuffy cave, being hot under the suit, with dust in the air.

The mine's museum was back on level one; it was also stuffy and claustrophobic. Idols, or guardian saints of the mines, took the form of devils and old white Spaniards.

We finally climbed toward the light, and were glad to be out of the mine. If there was ever a question of me being a miner, this has answered it. Filthy, we boarded the bus.

Pedro took us to some crude mineral processing plants, and we saw how silver and zinc are partially extracted from the rocks. It's interesting to think the zinc supplement you take might originate in a place like this. Or the silver in your jewelry. The plant was not OSHA compliant either. Ironically, Bolivia must ship the crude minerals to other countries to be converted to usable product, and buys the refined product back at a premium.

After taking a night to recover from the mines, we went to the mint museum to see the next step in the process. The mint was a fine old Spanish building. The leering head of Poseidon was apparently added when Bolivia gained independence and the Spanish left -- a final goodbye.

Julio, our excellent yet sarcastic guide, explained how the Spaniards created the purest silver coins of their era, the pieces of eight. During the period of Spanish domination, these coins from Potosi were used all over the world. It was interesting to see how mule teams would walk in circles to power machines to flatten silver bars. This life-size silver armadillo was on display as one of the works created with Potosi silver.

High Altitude

Potosi is the highest city in the world of its size, at 4,070 meters. And it once was the largest and richest in all the Americas. In the go-go days, starting in 1545, silver mining created local fortunes, and the grand colonial city was built.

Perched on the side of Cerro Rico, the mountain that yielded these riches, Potosi was one of the most important Spanish possessions. The city was one of the world's biggest consumers of luxury goods from Europe, Asia and the Americas.

All food had to be imported from elsewhere in South America, as not much grows at Potosi's altitude.

We really enjoyed seeing the fine Spanish buildings, and stayed in a converted villa. Many homes had Moorish balconies, like those in Salta.

The local cathedral is old and grand. It has a Christ made of cactus.

And a picture of Saint Jaime of the Birthmark.

And you can climb onto the roof for a great view.

A marching band came through town to celebrate independence.

Locals lounged in the square.

Jason bought a new coat, hat and scarf at the local outdoor market.

One night we had dinner at a well designed restaurant that I suspect was Dutch-owned. The decor was so sophisticated you could have been in New York; there was nothing else like it in town. Decor included these interesting wall cutaways boxes with dried flowers and grain.

Sometimes I wonder what kind of inspiration strikes... we see so many expats in the most unexpected places... ¨I´m tired of Amsterdam. Hmmm... maybe Tokyo? Or the South of France... Wait, I know -- Potosi, Bolivia, the highest city of its size! And there are llamas¨

Unfortunately, my stay in Potosi ended with a minor bout of food poisoning, but not from the Dutch place.

Bolivia Jitney

We boarded a stale old bus bound for Potosi, and an older woman in bowler hat and skirts promptly sat on my shoulder. We felt a dilemma we've often had in South American buses -- you have the instinct to give your seat to the elderly. Yet on these buses, one must pay for a seat, and those standing have paid much less. Do you give your seat away? We didn't have to ponder too long; the bus chugged pathetically up steep tan mountains, and the woman disembarked at a small adobe settlement, the same color as the hills.

As the bus strained up and down mountains (but mostly up), adobe villages came and went, and we marveled at the impossibility of their locations. Stopping in a little town, everyone went in search of "nature's toilet." Returning to the bus, "technicians" were pouring water through vents in the dashboard, and it splattered from behind the bumper, all over the dusty road. Not a good sign.

We chatted with fellow passengers -- Argentinians, Britons, Germans -- in the middle of the road. We made a new friend, Kirsten, who we'd see again in Potosi. Our gawky white presence seemed to amuse grannies sitting at road's edge.

The bus wheezed and started, and we rode for another couple hours. Local people occasionally got on and off.

Passing another bus, which had broken down, we were glad it wasn't us. Then ours broke down. We stood roadside amongst shallow pools and llamas, well within sight of the other bus and its marooned passengers (see above photo). The bus people poured water through the dash and tinkered. Small boys from a nearby settlement rode bikes over to watch the tourists. After twenty minutes, we began to worry, but the engine sputtered back to life.

We continued on to Potosi without further incident. It was interesting to enter this town built entirely on nude hillsides.

At the station, Jason realized his down coat, hat and scarf had been nicked on the bus. This wasn't our favorite journey.

Uyuni

Uyuni, a town of several thousand, smelled like a cocktail of minerals. Though more populous than than the five hundred-some kilometers of Altiplano we'd just traversed, it still felt isolated. The town square had a few nice old colonial buildings, and we had some good, if slow, pizza on the pretty square.

Nearby was a graveyard of old and unusual trains. And a strange sculpture of a woman made from scrap metal.

Buildings like this one remind me of some of the new construction in Vietnam or Cambodia. The style is familiar yet strange... kind of modernist or art deco. But they may be making it up as they go along.

A military band marched through town playing "When Johnny Comes Marching Home Again." Apparently it was one of Bolivia's independence days.

Our hotel had kind of quaint decor, with antique sewing machines, baroque mirrors from times gone by, and rusty farm implements. We were incredibly happy to have a portable heater and hot shower.

Walking around that evening, there was lots of loud local music and dancing behind closed doors. Rural Bolivia seems much livelier than rural Turkey, for instance. We dined at an incongruously hip French restaurant, with warehousey decor themed on railroads, and a nice big fire in the middle. My asparagus soup was good except  for the submerged chunk of drywall.

The next day, we did some planning on the sunny square.

Women in traditional dress lounged on benches. Since arriving in Bolivia, we've been amazed at the number of women wearing traditional dress -- long braids under a bowler hat, many layers of knee-length skirts so their bottom half looks larger than it is, flesh-colored thick stockings, and maryjane-like shoes (see top photo). I walked through the town's market, and found the stall where the women get those bowler hats.

At the pizza resto, we ate pasta the consistency of ramen, and after finding several hairs in mine, I lost my appetite. Dinner at the French restaurant was an improvement.

Andes 4-Wheeling Extravaganza

Now we know where landscape photographers find technicolor aquamarine flamingo-filled lakes. Four-wheeling from San Pedro de Atacama, Chile, to Uyuni, Bolivia was one of the most amazing experiences of our trip. We began by taking a bus around the local volcano to the Bolivian border, where the ominous vision above portended some events to come. It was all dirt roads from there.

Switching to a four-wheel drive Toyota at the (above) border, we met our guide, Victor. He only spoke Spanish, but so clearly that we understood a lot.

The whole drive was over Altiplano -- miles and miles of incredibly high flat plains, surrounded by mountains. It is strange to think there are such large open spaces, so high above sea-level. Driving through tan, barren, mineral-rich landscape, we occasionally stopped for small, intensely hued lakes.

Laguna Blanca was frozen, with chalk and other minerals caked around the edge; the glossy surface had a strange cast. We breakfasted there and met the rest of the group -- a German doctor, two Canadian twenty-somethings, and many French teachers. Bolivia has a different kind of bread from Argentina and Chile -- a light, airy baked bun. I like Chile´s heavy bun better.

Laguna Verde apparently contains copper, and changes color as the wind blows across it, becoming a brilliant emerald. The photo could have been taken in Tahiti, or Flores, Indonesia, but it was much colder on the Altiplano. 

Victor played some kind of Bolivian music that fused tradition with pop. The song that sticks in our minds goes "Ma ma ma, ma ma Maria," and encourages you to clap your "las palmas!" We were to hear this song many times. Traditional Bolivian favorite and hair band classic, "Love Hurts" was also on the play list, to be heard again in Uyuni and Potosi.

We took a dip in a hot spring, and ate a lunch of llama. The llama looked and tasted like roast beef. Tasty quinoa soup was also served.

Further on, boiling geysers spewed a sulfurous mix. Tiptoeing around them, earth sometimes fell from beneath our feet. Cold winds whipped around us. Sulfur splattered my trusty red camera, rendering it useless. I had to borrow Jason´s from then on, so some of these are his photos.

The Andes landscape was surprisingly varied. In addition to the expected Swiss snow-covered  mountains, there were many-hued mountains colored by minerals, bizarre rock formations, scrubby or coral-like vegetation, and of course the colored lakes.

Laguna Colorada reminds one of those brightly hued, contaminated Chinese rivers. But the color is natural ochre, and the lake attracts many species of flamingos. The wind was at its worst as we struggled to the lake's edge.

Llamas sat at lake's edge; the red pompons in their ears mean that someone owns them.

Our lodging that night was a rude adobe with no heat, hot water, and often no water at all. We ate a nice dinner that again included quinoa soup. I felt some effects of food poisoning a little later and popped a Cipro. Piling five layers of blankets over our sleeping bags, in the room we shared with the German and Canadians, we attempted to sleep at 8pm. There was nothing else to do in the cold. My feet were about to freeze off; temps dipped to -15 to -20 Centigrade. Our hearts were racing from the 4,600 meter altitude, and we spent a fidgety, cranky eleven hours in our bunks. Trips to the bathroom were foul, as water had been cut off. None of us slept.

Sleepy and disoriented, we ate our simple breakfast and headed out. Victor played Ma Ma Maria again.

We arrived at a fascinating rock formation -- red rock formed into steps that you can climb, about five stories high. The rock was dotted with alien vegetation -- coral-like green globes crawling over the rock, made of tiny, tough, star-shaped plants.

A viscacha appeared on a rock shelf, after we'd descended. Viscachas are rabbit-like rodents with long curly tails.

Victor was clambering under the truck's hood; he took a few minutes for "improvements." In Bolivia, all drivers are also mechanics.

The Altiplano was surreal; indeed, Salvador Dali once went there to paint some eerie volcanic rocks that we saw sprinkled across the plain. Visually, I was always noticing the contrast between three-dimensional and flat-looking surfaces on the plain.

Nearby were other rock formations, including the much-photographed "stone tree." This image makes me think of Dali, with his hyper-dimensional rocks and personas superimposed on barren landscapes of flat color.

We forded several streams, and the terrain got much bumpier.

Another silvery lake was dotted with flamingos.

Rock formations resembled advancing soldiers or a shantytown. One rock is a condor-like form.

We stopped at a tiny town laid out on a broad, flat grid for lunch, including the familiar quinoa soup.

Wandering around town, we saw some lovely old stucco buildings, and I spotted a taxidermy bird that looked like a small ostrich in a shop window.

Driving through a dry valley, rivulets of water streamed through; llamas and donkeys grazed. We drove by stucco settlements, and saw odd, geometric plantings on the hillsides that looked like ancient patterns inscribed to deliver a message to aliens.

A llama seemed to be bathing in the stream, but it had gotten stuck, and couldn´t get out. Our heroic guide Victor and one of the other tourists stepped into the cold stream and pulled the llama out by its wool. The beast was blase as it trotted away.

We stopped at a small town that was once a much larger railroad hub. Only five families remained in the ghost town. Three little sisters came out to see us. Their future prospects are slim in a place like this. We wished we´d brought pencils and paper for them.

The town's water tower had sprung a leak, and a frozen waterfall clung to its side. The little girls stood by the ice.

Several cars from an old train sit on the unused track, and the cemetery had more residents than the town.

I recall the truck had another little breakdown that day.

Much of the day was about driving to the world's largest, highest salt lake, the Salar de Uyuni. We arrived at the dry lake's edge in the late afternoon, and drove a short distance across it to a salt hotel. The hotel was built out of salt blocks, and arranged in a straight line along the shore, so that each room had a view.

Jason and I shared a little Chilean wine, while watching the intense blue and pink sunset across the lake. After a dinner of, yes, quinoa soup, we were looking forward to the promised hot shower. Alas, the pipe was broken. I sponged myself off with some water from one of the tea thermoses. We had another freezing night, but in more comfortable, private digs.

That morning, we began our drive across the salt lake. We drove in a straight line for forty minutes, before reaching the Isla de Pescado, the Fish Island.

Though it's incredibly isolated, we saw more plants and animals on Isla de Pescado than on shore; huge cacti, scrubby plants, even a chinchilla, hopping across the rocks. It was interesting to climb up these huge coral formations, after having recently swum around them in places like the Great Coral Reef in Australia.

The island sits some distance from the shore, and the part of the lake adjacent to the island is 120 meters deep -- 120 meters of salt! Incas once rested at the island, while journeying across the lake. What's amazing is the is that much of the craggy island is made of ancient coral, from when the lake was an inland sea.

We climbed up and around the steep little island, and marveled at all plant life.

A shrine to Pachamama was at the top.

We drove another forty minutes or so across the blank salt, stopping for photo ops.

An older salt hotel was in the middle of the lake. Every aspect of the structure was salt including furnishings.

Further along, local people toiled on the lake, breaking salt loose with pickaxes, and shoveling it into trucks.

A few miles away was their tiny settlement, where they process table-salt for all of South America. People sold salt sculptures of llamas and dice cups.

I cuddled a baby llama.

After driving about twenty more minutes, we finally left the salt lake, and arrived at our end destination, the town of Uyuni. We were excited for a hot shower.

Valley of Death, Valley of the Moon

It is hard to convey the grandness of the landscape around San Pedro de Atacama with a photo. A large volcano looms behind. And local sights included a giant hole made by a meteorite, only recently discovered through satellite photography.

Strange vast vistas abound.

Jason stood Wile E. Coyote style.

One evening, we hiked through the Valley of Death, and appropriately, watched a couple mountain bikers and a ¨sand boarder¨ risk life and limb on the dunes.

The Valley of the Moon, which gets amazing light at sunset, sounded more tranquil. We headed over with our group of nice British and Canadian tourists. Climbing up the hill to see the red-lit landscape was incredibly exhausting, due to the high altitude of San Pedro. We also noticed that one wrong step could lead to a lethal tumble down the hillside. Not so tranquil. It was an incredible, martian sunset though.

Jason commented that the landscape looked like a backdrop from a B-rated sci-fi movie.

The trip down, after dark, was a little scarier. The "being responsible for your own life or death" concept is big in South America.

San Pedro de Atacama

San Pedro de Atacama is literally an oasis in the Atacama desert, the world's dryest. It was probably a sleepy little adobe town till the recent tourism boom.

We were surprised by the sophistication of the hotel and restaurant designs there; they found many creative uses for adobe.

And our hotel had a garden with cacti and big purple flowers.

Food was also a pleasant surprise, with lots of fresh vegatables available in the desert. I enjoyed the opportunity to consume more good Chilean wine and pisco sours.

Six resident cats prowled the hotel and plenty of dogs lay around town; we got our animal fix.

Temperatures in San Pedro were extreme -- t-shirt weather and strong sun by day, and cold enough for a New York style sleeping-bag-you-wear-as-a-coat at night.

The local archeology musuem was nicely laid out, and had some good exhibits.

And the requisite  mummies and flattened skulls.

In my quest for unusual posters and design-work the world over, I found this ¨wanted¨ poster for a bug you can catch from food. Appropriate, given that I´d catch one a few days later.